28 Comments
Feb 16, 2022Liked by Aaron Gilbreath

Aaron, thank you for taking the time and effort to give these guys their due. FYI, my myopic view for last 25 years has been... three friends who got together, wrote/recorded some fantastic songs, dropped a masterpiece in our lap without any notoriety then called it a day. With that, I've needed someone to expand on my "simpleton" version of the band. Now here you come along, a fan of the band/album, interviews w/ Eric and Dave, et al, dropping all kinds of knowledge... you've made my millennium. Seriously, hats off to you!

Oh, and a big, oversized thumbs up to Eric and Dave for taking the time to giving us some special sauce into making this album. Now, who needs to be contacted to get this daggum album on the streaming services? I'm willing to make some collect calls if needed... Cheers

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Glad this adds new info to it all! It def did me. Wish any calls would get it on streaming services. Tried!

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Feb 24, 2022Liked by Aaron Gilbreath

Thank you so much for compiling all of

this. This record meant so much to Me and my inner circle. A group I play with covered Son. Here is the video we made for it if you care to check it out.

https://youtu.be/Y5qh8nXETtM

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I can’t believe I stumbled upon this! My 16-year-old self was CONSUMED with this CD..I thought no one else would remember it! I’m telling my husband and kids about this now ❤️

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So glad you found this book, then. Your 16-yr-old self will be happy, and I hope your family enjoys it, too. My daughter was like, "I'm glad you like this, but it's not for me." She's 6, lol.

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That’s so cute! My daughter is 19 and she’s really into Failure and lots of ‘90’s grunge, and ‘80’s synth and new wave, which makes me so proud and hopeful for the generation lol

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nice, very hopeful. you might dig this other music series i have, called alive in the 90s https://aarongilbreath.substack.com/archive

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May 11, 2023Liked by Aaron Gilbreath

I still have TWO copies of the CD. One purchased in ‘95 or so. I don’t recall how I heard of the band but it was in writing, meaning I bought the CD having not heard anything from it. The second was purchased as a backup about a year later. CD burners were still $1,000 or more and mp3s were either not invented yet or nobody knew about them. So when I saw the album at Circuit City, I bought because I knew then that the album was different. It was important to me, even that soon, in a way that I still cannot fully quantify. I have a lot to say about this album, but I also have a lot to read here to LEARN about its creation and why in the hell they never played a show! There is a wishlist on the Record Store Day web site; go visit it and TELL THEM WE WANT DECONSTRUCTION ON VINYL!

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vinyl! if only they'd do it. i tried

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May 13, 2023Liked by Aaron Gilbreath

I wasn’t even aware of the demos, and (therefore obviously, haha) the existence of ‘Jealous Song’. It never dawned on me to watch for them or perhaps I searched poorly. I suggested that the RSD folks look for demos or rehearsal recordings for the, presumably blank, 4th side.

I neglected to mention in the first comment that my backup copy is still in shrink wrap.

Twice this week I was up until 1am reading this fascinating history. I am genuinely twisted with the bittersweet anticipation of “WHY?!? Why did they never play live?” I want to know, especially given the, perhaps, rekindled friendship of the last many years. And I haven’t gotten far to know if the friendship even needed rekindling; maybe that wasn’t the issue. The revelation that (avoiding spoilers, just in case) one of my favorite musicians tried to convince them to play live plus “other details” was crushing.

There is no way to sufficiently thank you for this book. I’m about 1/3 of the way through and it has been excellent. The open recollection and reflection of Eric and Dave has been incredible. I paused reading last night just before the producer’s first video. So just now entering the 3rd-party stuff.

Thanks again, Aaron. This is something I never even thought to wish for because it was so wildly unlikely to happen.

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May 16, 2023·edited May 16, 2023Author

You're very welcome. I'm glad you found it. I always wanted to read this, so I had to write it for me, for you. It's gratifying to see other listeners around the world enjoying the story. Eric and Dave were great for sharing their time.

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Where can I get the demos?

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May 29Liked by Aaron Gilbreath

There are a handful on YouTube. I just searched for “Deconstruction demos” and found “One” and “America”. There’s the official video for “LA Song” and other things lying around. Haha.

Coincidentally, I bought tickets THIS MORNING for the closest to a Deconstruction show I’ll ever get. ;) Eric Avery is touring with JA again and it’ll be only the 3rd time I’ve seen them but the *first* time with Eric. (I was such an idiot in the early ‘90s that I never saw them then…)

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May 28Liked by Aaron Gilbreath

This is one of my favourite albums of all time, and I was there back in the Nothing’s Shocking and Ritual de lo Habitual tours. I’ve been petitioning to get someone to release this on vinyl. Hopefully Music on Vinyl who do weird things like that. I could use the help though if Dave, Eric, or Aaron ever read this. Please, please get this album out to the people.

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glad you found this story, then. let me just say that i talked with the members and an awesome enthusiastic label about getting it pressed to vinyl, but it didn't happen. it's a mystery why, there was a lot of interest, the label wanted it, but there is some mysterious final piece of the puzzle that just couldn't lock in, and i won't understand why. that's likely how it will always be.

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Sep 25Liked by Aaron Gilbreath

Thank you so much for creating this!! Just found it and absolutely stoked.

Huge fan from the early days. I would love a vinyl pressing. What a shame!!

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Ah dang!!! I will still leave hope, now that they are back together, for it to maybe see the light of day sometime.

Thanks.

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Nick, tell me your email address so I can get you access to this book. Thanks

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May 10, 2023Liked by Aaron Gilbreath

Thanks for this! Subscribed.... Had this back when released... then it disappeared on the early 00's :/ But happily tracked it down again 2nd hand a couple o' years ago. Tried to hunt down some info on it, but as you say there wasn't much. Sat down and listened to it tonight, and thought i'd tried googling for info again - and voila!

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Awesome, I'm glad you found this story, Simon. You're the listener I wrote it for, and myself. So much love for the music and so many questions. I hope you enjoy it and it deepens your appreciation of the art they made.

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Feb 4, 2023Liked by Aaron Gilbreath

This is awesome. Never knew about this album. Thanks for writing and sharing.

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glad you like it!

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Sep 26, 2022Liked by Aaron Gilbreath

So sad that Taylor Hawkins will never be able to play Deconstruction live with Eric Avery and Dave Navarro... He really was a man of good taste!

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Amen, man. Hawkins was a beautiful soul.

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May 14, 2022·edited May 14, 2022Liked by Aaron Gilbreath

Many years ago, when I was 17 or 18, I found that one Deconstruction album in a used record store in Tel-Aviv. They sold it to me for 18 shekels (~6 bucks), because the booklet was missing. I always loved Jane’s Addiction and their musical sense of humor, but Deconstruction was something else. There aren’t many albums that got to me the same way this one did (maybe Car Seat Headrest came close). And it was always frustrating to try and find any info about it online. It’s like it barely existed. And no one I know in real life heard of it. So glad to have found this substack, this is awesome. This brilliant music is finally getting the attention it deserves.

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Wow, that's a great story, Hannah. I'm glad you found my Substack, too, and can get some deeper insight into this incredible music--finally! Cheers

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I downloaded this album from a free app called mp3 juice

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Jan 13, 2023·edited Jan 13, 2023

I’m one of the lucky ones to have a pristine CD copy of this record. The guitar playing from Dave Navarro is both ferocious (L.A. Song, Get at ‘em, Dirge, Kilo), and delicate and affecting (Iris, Son). Eric Avery’s vocals suit the music just fine, and his base playing as always is the secret ingredient that makes the sauce what it is. His base playing was such an important part of Jane’s Addiction. So much of their best material revolves around an Avery bass riff, much the same as Jay Wobble was crucial to the early PIL sound. This is still one of my favorite records, and always goes with me whether it’s on my phone, iPod, or iPad. The cd sits well preserved on a shelf and will remain one of my prized collectibles among many. It would be amazing if they did a live show of this album here in L.A.

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